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Memorial to Federico Gracia Lorca in Alfacar
POET AND PLAYWRIGHT (1898 - 1936)
Federico Garcia Lorca is not only Spain's most universal poet,
but he is also a universally recognised symbol of Spain - and especially
Andalucia - itself. His poems paint a vivid and intrinsically poetic
portrait of this fascinating region, with its stark landscapes of
olive groves and fig trees, its moonlit nights among whitewashed
walls and Moorish towers, its bullfighters and, above all, its gypsies
with their free-roaming ways and fierce codes of living and loving.

The fact that Lorca was summarily executed at the onset of the Spanish
Civil War has to some extent increased his fame, but the reverse
side of the coin is that the political implications of the tragedy
have eclipsed his worth as one of the 20th century's most brilliant
and innovative poets.
Born near Granada in 1898 to a prosperous farming family, Lorca
was strongly influenced by his cultivated mother, who taught him
to play the piano and sing, two skills which he put to good use
later in life. During his student years in Madrid he made friends
with Surrealist luminaries such as Salvador Dali and pioneer movie-maker
Luis Buñuel, using their often outrageous techniques in his own
work, but without compromising his own childlike, ingenuous style,
full of lyrical freshness and spontaneity.
He achieved instant celebrity both in Spain and in Latin America,
as well as, later and through translation, in France and the United
States, with his collection of poetry "The Gypsy Balladeer",
in which he drew upon his boyhood contacts with the gypsies of the
town of his birth, Fuente Vaqueros, to concoct a bewitching blend
of social commentary and dreamlike fantasy. The best known poems
from this period are the "Ballad of the Sleepwalker" (famous
for the haunting refrain, "Green, green, how I love you green")
which tells the tale of a gypsy smuggler who is killed by the police
before he can rejoin his mistress, and the "Ballad of the Spanish
Civil Guard", in which he recounts, in a mesmerising display
of metaphor, a police raid on a gypsy community, with the burning
of houses and the murder of the inhabitants. Another Lorca classic
is his ode to the death of bullfighter Ignacio Sanchez Mejias, perhaps
the most enduringly successful surrealist poem ever written in any
language.
Lorca was a man of the theatre and roamed Spain in a truck with
a troupe of actors called "La Baraja", staging farces and
tragedies in village squares in the backwaters of Andalucia. He
created many enemies among Spain's traditional right-wingers with
his trilogy of plays dwelling on the plight of women in Andalucía's
villages - "Blood Wedding", "Barren" and "The
House of Bernarda Alba" - and this controversial stance undoubtedly
went against him when political scores were settled later on. An
extended stay in New York and Cuba produced a book of surrealistic
verse, "Poet in New York", in which Lorca expressed his horror at
the harshness and materialism of American life in the 1930's.
When General Franco launched his overthrow of the Republican Government,
in 1936, Andalucia was the first region to fall. As each town and
village was taken, a witch-hunt of the leading leftists took place
followed by mass executions, in the name of the nationalist's "crusade"
to rid Spain of the followers of Karl Marx. While not a political
man himself, Lorca was inextricably associated with the libertarian
movement, and his sister was married to Granada's Republican mayor,
putting him high on the Fascist hit list. It is also possible that
his thinly disguised homosexuality may have added to the antagonism
of the conservative set; in any case, Lorca was one of the 30,000
inhabitants of Granada to pay with their lives for having supported
Spain's fledgling democracy and attempt to break the stronghold
of the Church and bourgeoisie over the dirt-poor peasantry of Andalucia.
The above text was kindly provided by Lawrence Bohme.
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