This work by Javier Ruiz Abel is a tribute to those miners from Granada and Almería who, at the end of the nineteenth century and the beginning of the twentieth, came to work in the mines of the Linares-La Carolina district.

This contemporary work by the local sculptor, Javier Ruiz Abel, represents the seven generations of Guarromanenses, each one raising the next one above itself and all of them surrounded by the tree of life, a holm oak, the representative tree of the New Populations.

The church dates from the eighteenth century and was the first parish built in the Nuevas Poblaciones. Its simple facade is built in red sandstone and has a belfry with a colonial appearance. Inside, the carving of the Inmaculada Concepción made by the sculptor Jacinto Higueras.

The most significant building in Carboneros is its church, dedicated, like so many others from the same period, to the Inmaculada Concepción. It was built in the second half of the eighteenth century, presenting a great architectural package in the purest Neoclassical style.

This whitewashed stonework building is also from the late eighteenth century. It has a predominantly horizontal structure, with a lintel door that marks the symmetry, which is accessed through double stairs, flanked by two rectangular windows. The floor plan is U-shaped and has a single consistent height.

The surroundings of the La Fernandina reservoir are located to the east of the urban area, very close to the village of El Acebuchar. This spot offers beautiful vistas of Mediterranean pasture forest, with abundant holm oaks, and constitutes an ideal place for the development of extensive cattle ranching.

Baños de la Encina is marked by the presence of its imposing Caliphal fortress, built on a rocky spur that dominates the Guarromán River. Its structure follows the contour of the rock, narrowing at the ends.

The church was erected in the late fifteenth century with a Gothic design for its nave, as shown by its pointed arches and tercelete vaults. The side portal is also Gothic, while the main entrance, carved in 1576, is Mannerist. Its octagonal base tower, articulated in three sections and topped by pinnacles, dated 1596, is inspired by the architecture of Vandelvira.

The most impressive element of this seventh-century church is its great prismatic dressing room-tower, added around the middle of the eighteenth century.

The Town Hall dates back to the time of Carlos I. It has a landscape façade of ashlar masonry, in the Castilian style, in which a semicircular arch opens, with a wrought-iron balcony with roof tiles and, on the right, the emblem of the Habsburgs.

The Santo Cristo windmill was built using locally sourced sandstone ashlars and measures 12m high on three levels and 4.5m in diameter.

The Molino de la Cerda family managed and oversaw the economic greatness experienced by the town in the seventeenth and eighteenth centuries, and the heraldry that adorns the upper windows of their palatial home implies that they were also relatives of the Holy Inquisition

This sanctuary was built in successive stages on the site of another primitive temple,which must have been much smaller and dated from the end of the thirteenth century.

The Argaric town of Peñalosa has been a benchmark for the investigation of the Bronze Age of the Alto Guadalquivir. It sits on a tongue-shaped slate spur, with two steep slopes bordering the Rumblar River to the north and the Salsipuedes stream to the south. Currently, the waters of the Rumblar reservoir bathe the structures of this Argaric town.

Battle of Bailén Museum - Bailén

The Museum of the Battle of Bailén is mainly dedicated to the eponymous historic event of 1808, which was the first open-field defeat of the Emperor Napoleón Bonaparte and provoked a change in the course of the Spanish War of Independence (1808-1814). The museum’s main objective is to recount local history throughout the Battle of Bailén, as well as presenting the locality from different perspectives: patrimonial, historical and emotional.

El Santuario del Rumblar - Bailén

The village of Zocueca, a word of Arabic origin linked to the name of María Santísima, is located between the municipality of Andújar and Bailén, approximately 6 km from the latter. The Sanctuary’s construction dates back to 1150, when a poor and rough hermitage was built by the Mozarabic Christians. A small image of Mary was venerated for having protected her elders and later them, by winning King Alfonso VII the fields of Bailén.

Picualia Oleoturismo - Bailén

Picualia offers visitors of all ages the chance to learn about the Bailén olive oil culture through a wide variety of activities including a guided tour of their olive groves and mill, tasting sessions and dining. Visitors can explore the harvest, production, bottling and sale of this product, as well as the benefits derived from olive oil. Picualia has a very spacious parking area for coaches.

Uvas Bailen - Bailén

Visitors can discover the sixty-year-old vineyard and learn about its history, the entire growing and harvesting process and how grapes are prepared for sale. Visitors in September can taste the freshly picked grapes, and collect their own boxes of grapes to take home. Uvas Bailén was established in September 2019 due to the closure of the Santa Gertrudis winery. Faced with the challenge of what to do with the grapes and to avoid having to dig up the vineyard, they decided to sell dessert grapes and use the remaining grapes for wine-making.

The church was inaugurated on November 16, 1504, by the Bishop of Jáen, Don Alonso Suárez de la Fuente del Sauce, an event attended by the Counts of Bailén; Don Rodrigo Ponce de León and Doña Blanca Sandoval.

This nineteenth-century house is located on the former Camino de Jaén, one of the main gateways to the city, specifically the Madrid-Cádiz route, which once connected with the old Bailén Castle.